Showing posts with label music. Show all posts
Showing posts with label music. Show all posts

Tuesday, July 27, 2010

Paul McCartney Nashville Show, July 26th, 2010

I couldn't help but jot down the track list of last night's Paul McCartney show. What an amazing evening Michelle and I had listening to Paul and band rock out for 3 hours. Here's the rundown:

Sir Paul is on.

On the Hofner bass...
• Venus and Mars straight into...
• Rock Show straight into...
• Jet. Some stage banter and into...
• All My Loving with Beatles multimedia show, more banter and into…
• Letting Go
• Got To Get You Into My Life

On electric guitar...
• Highway by alter ego Fireman
• Let Me Roll It and then a Jimi Hendrix jam, told story about Jimi memorizing Sgt Peppers the weekend it came out and opening his show with it. And asking Clapton to tune his guitar in the middle of the show.

On piano...
• The Long and Winding Road with bizarre photos of Arizona
• 1985
• Let 'em In
• My Love, talked about writing it for Linda

On acoustic guitar...
• I'm Looking Through You
• Chiquita jam
• Two Of Us

On acoustic all alone...
• Blackbird with opening comment about 60s and civil rights
• Here Today with touching intro about John Lennon

On Mandolin…
• Dance Tonight

On acoustic guitar ...
• Mrs. Vanderbilt
• Eleanor Rigby

On Ukulele...
• Ram, then talked about how good a ukulele player George Harrison was, and told story about how George gave him one. Paul learned one of George's songs and played it for him- and into...
• Something with awesome photos of George

On Hofner bass...
• Sing the Changes
• Band on the Run with awesome vintage footage of the photo shoot for the album cover
• Obla di obla da, never heard live until this tour
• Back in the USSR Back

On electric guitar...
• I've Got a Feeling
• Paperback writer (using original guitar Paul recorded the song with) and a wrap jam

On Hofner Bass...
• Day in the Life straight into...
• Give Peace a Chance

On piano...
• Let it Be
• Live and Let Die

On Psychedelic piano...
• Hey Jude

Encore (on Hofner bass)...
• Day Tripper
• Lady Madonna
• Get Back (with a goofy Mexican kid from the audience)

2nd Encore...
• Yesterday
Then he signed the back of a girl who had a Hofner bass tattooed on her back

3rd Encore...
• Helter Skelter, final comments and closed with...
• Sgt Peppers (reprise) straight into...
• The End

Thursday, March 04, 2010

Carrie Underwood is no Paul McCartney

I’m a huge Paul fan. Huge. If I ever got to meet him I’d for sure lose my cool and start babbling on and on like an idiot peppering him with comments and questions that would ID me as a crazed fan in an instant. I loved this and that song! What did you mean when you wrote this line? What was it like writing and performing with John Lennon? Could you sing ‘Michelle’ for me right now so I could record it on my phone and show my wife? And on, and on…

A couple weeks ago I had the opportunity to meet and spend time with Carrie Underwood as part of a project at work I’m involved with. I knew who she was- I’m not living under a rock- but I had never listened to a song by her, nor spent the last 30 years memorizing all her music, learning it on guitar and piano, and trying to imitate her voice and delivery style. For one reason at least… she wasn’t even born 30 years ago. To me- she was a famous singer that I knew little about and I was thrilled that she was part of our project. End of story.

So when I got to meet her, it was like meeting anyone else- simple and honest conversation. Where are you from? Tell me about your family. What’s going on in your life? What’s next for you? It was great getting to know her, learning she’s a neighbor (has a place right down the road from us in Leipers Fork and her main home is up the road a bit farther away), and sharing about our respective favorite music, people, places and food. Later in the week there was a party for the folks on the project and I even got to sit next to her and ended up harmonizing on a song when the party shifted from chit-chat to group sing when a couple guys got out guitars. It was Jason Mraz’s “I’m Yours.”

She is a lovely person, wonderful voice, great spirit- and now I’m a fan. Started listening to her music and it’s amazing. I’ve been missing out. But- If I get the chance to hang with her again, I’m afraid I might come off a bit different now. And of course I’ll want pictures with her and for her to sign my shirt with a sharpie.

Thursday, May 07, 2009

Calling The Kettle Black

For more than 25 years I’ve been sitting at the intersection of faith and entertainment. I approached this joining of two “roads” when I became a huge fan of Larry Norman, Randy Stonehill and Keith Green as a teenager. These three gents did an amazing thing- they joined contemporary music and melody hooks to social commentary and faith messages in a way that challenged and grew me- heart, mind and soul.

This affected me deeply in various ways. It helped mature my faith, made me more self-aware as a follower of Jesus and how I relate and treat others, and also lit a flame inside of me to join in a movement. A growing chorus of artists and fans that were excited to engage faith and the arts at the same time.

I taught myself guitar and piano, and started to write songs. My goal early on was to follow in Keith Green’s artistic footsteps- piano-based pop/rock with lyrics that delivered a compelling and challenging message. As those skills developed it lead me to participate in a rock band during high school and land a gig handling all the music at a Christian youth camp. Fortunately it became clear to me early on that I wasn’t a good enough musician or vocalist to make writing and performing my vocation, but I knew music would remain a key part of my life.

There is no shortage of people that criticize faith-based music and film. One of the chief complaints, from inside and outside the church, is that the art is second rate, and becomes unpalatable when a “message” is shoved into a song or film and spoon fed to the listener or viewer. Another common refrain is that music and film should be more subtle, gently weaving a great story that may have a moral or thickly veiled message that we can draw from. And from outside the church, besides those types of comments, we also hear things like “I hate Christian movies- too preachy, always shoving values and morals down our throats.” And multiple variations of that, far too many to outline here.

There’s also great criticism of the marketing and promotional machines that are Christian music and film companies. That these folks put to much emphasis on packaging and marketing “MESSAGE” versus “ART.”

I’d like to point out a few items that have come to my attention in the last month- namely that some of these same types of people that despise faith-based music and film for using the arts to push a “message” or “agenda,” are genuine, good old-fashioned bona fide hypocrites.

---------------------------------------------------
From the NY Times, May 1st 2009:
“Seeking to Save the Planet, With a Thesaurus“ by John M. Broder

WASHINGTON — The problem with global warming, some environmentalists believe, is “global warming.” The term turns people off, fostering images of shaggy-haired liberals, economic sacrifice and complex scientific disputes, according to extensive polling and focus group sessions conducted by ecoAmerica, a nonprofit environmental marketing and messaging firm in Washington.

Instead of grim warnings about global warming, the firm advises, talk about “our deteriorating atmosphere.” Drop discussions of carbon dioxide and bring up “moving away from the dirty fuels of the past.” Don’t confuse people with cap and trade; use terms like “cap and cash back” or “pollution reduction refund.”

EcoAmerica has been conducting research for the last several years to find new ways to frame environmental issues and so build public support for climate change legislation and other initiatives. A summary of the group’s latest findings and recommendations was accidentally sent by e-mail to a number of news organizations by someone who sat in this week on a briefing intended for government officials and environmental leaders.

Environmental issues consistently rate near the bottom of public worry, according to many public opinion polls. A Pew Research Center poll released in January found global warming last among 20 voter concerns; it trailed issues like addressing moral decline and decreasing the influence of lobbyists. “We know why it’s lowest,” said Mr. Perkowitz, a marketer of outdoor clothing and home furnishings before he started ecoAmerica, whose activities are financed by corporations, foundations and individuals. “When someone thinks of global warming, they think of a politicized, polarized argument. When you say ‘global warming,’ a certain group of Americans think that’s a code word for progressive liberals, gay marriage and other such issues.”
The answer, Mr. Perkowitz said in his presentation at the briefing, is to reframe the issue using different language. “Energy efficiency” makes people think of shivering in the dark. Instead, it is more effective to speak of “saving money for a more prosperous future.” In fact, the group’s surveys and focus groups found, it is time to drop the term “the environment” and talk about “the air we breathe, the water our children drink.”

“Another key finding: remember to speak in TALKING POINTS aspirational language about shared American ideals, like freedom, prosperity, independence and self-sufficiency while avoiding jargon and details about policy, science, economics or technology,” said the e-mail account of the group’s study.

Robert J. Brulle of Drexel University, an expert on environmental communications, said ecoAmerica’s campaign was a mirror image of what industry and political conservatives were doing. “The form is the same; the message is just flipped,” he said. “You want to sell toothpaste, we’ll sell it. You want to sell global warming, we’ll sell that. It’s the use of advertising techniques to manipulate public opinion.”

And, Mr. Luntz and Mr. Perkowitz agree, “climate change” is an easier sell than “global warming.”
---------------------------------------------------
And now to wrap this up, I present to you a few bit of “art” that recently graced the airwaves in an effort to shove a message and morality down our throats:

Watch just the first 2 minutes:



And here we see some of the priests and priestesses preaching the message:



And this is just downright painful to watch. Please- give me a tacky toupee-wearing sleazy televangelist over this tripe... at the end of the clip there's even a segment on confessing eco-sin. Do these people realize they have created a RELIGION?







Thursday, January 08, 2009

ABC Not-For-Families Channel

We have all but abandoned ABC Family Channel, though there might be a few old films and shows that run there we still catch, but its dangerous if you have young children.

The promotional spots they run for their newer trash programming are packed full of fun family sex, drugs, alcohol and rock-and-roll baby! Woo-hoo!

The tagline for their network says it all … “ABC Family… a new kind of family.”

As in, "we don’t want any of that stupid freedom-inhibiting namby-pamby, modesty, personal responsibility, restraint, purposefulness, careful consideration of friends and acquaintances crap."

"No way, man, we want SEX! Sex for all! And frat parties with lots of beer! Watch the new show GREEK! And check out The Secret Life of the American Teenager (Viewer Discretion Advised)! Yes, more sex and alcohol! Cool!"


These people at ABC Family are not only evil in their programming choices, they’re stupid and actually very out of touch. I caught a television ad for the DVD collection of “The Secret Life of the American Teenager” and if you buy it now, ABC Family will throw in a free digital download of the new album by Jesse McCartney.

First of all, no self-respecting real American teenager would be caught dead near a physical CD, much less a digital version on their iPod, of Jesse McCartney. He’s so 2002.

Secondly, if an American teenager DID want a digital copy of Jesse McCartney, or any other artist, they’d just steal it from a peer-to-peer site or rip it from a friends CD. As if.

“ABC Family… a new kind of pandering degenerate channel. With stupid marketing ideas. Watch us! We’re sorta like MTV now, but with crappy music, shows and promotions.”


Saturday, January 03, 2009

Anthology Again

1995-1996 were very good years for Beatles fans. During that time period the Anthology series was released consisting of 3 double CDs sets plus a 5 DVD set capturing most of the Beatles key developmental moments as they wrote, practiced and fine tuned their most endearing and enduring hits. A few rare live performances and finished alternate version tracks are included.

I’ve written previously about converting our entire CD collection into digital files on our home network so we can easily play them on various laptops and devices around the house, or burn a full album or mix CD quickly if we want a throwaway CD for the car. As a result, our CD collection is ensconced in a series of banker boxes tucked into the back of a closet. The one time any of them are liberated is during Christmas when Michelle wants the actual CDs for Christmas music in the great room during the holidays. While digging through the collection to find the “Christmas CDs” box I had to fight through several “Beatles CDs” boxes. I opened one and saw the Anthology collection and pulled them out to put in the truck.

So over the last few weeks I’ve been going through all 6 CDs over and over again while running about town on errands. As I listen to these in order it absolutely amazes me how The Beatles grew and evolved themselves as artists, and crafted the songs through the development process to be works of art. The greatest example from the Anthology Series would be Strawberry Fields where we get to hear the song progress from a skeleton into a full and lush version similar to the final most people are familiar with.

Its a treat to hear various phrases and words that ended up cut or changed in the final version, and to hear the craftsmanship that went into the lyric and melody writing as a song moved through the writing and rough stages into the final version. Its like “hearing” a house being built, one plank and brick at a time.

Tuesday, December 16, 2008

Who’s That Girl?

Last week Franklin High School’s choirs put on a “Winter Performance” (winter of course being code word for CHRISTMAS). We dropped off our little K-girl and headed to dinner while the choir prepared for the evening.

I took Michelle and the three other girls to dinner at our favorite Thai spot- Chlay’s. We always enjoy seeing the owner Suwane (most people call her Pam) and catching up on family news.

After dinner, and placing an advance to-go order that we would pick up for K-girl on the way home after the concert, we headed down the road to Franklin High School. We took our seats and awaited the beginning of the show, Sony HandyCam at the ready of course.

I was a bit shocked. While I was certain we had dropped off little K-girl, what I saw on stage and on the viewer screen was not her. I saw an amazingly beautiful young woman. Absolutely gorgeous (she gets that from her mom for sure), and looking way to mature for my little girl.

It took me a full 5 minutes to recover. Flashing through my mind were images of a newborn K-girl crying at the bright hospital lights and then settling down as I shielded her eyes. Our little toddler pointing at everything in sight and awaiting the proper word and intonation from her mom or me. The stunning 5 year old trotting off to kindergarten with barely a glance back at us. And the uncoordinated and goofy tweenager starting to struggle with increasingly hard homework and the intricate web of life I call the female social structure.

She’s growing up way to fast. It’s no longer years and years ahead of us having this precious person in our daily life… we’re down to months now. About 32 of them. Oh man, this is starting to get real hard.

Wednesday, November 26, 2008

Are Worship Leaders Performers?

The purpose of a worship leader and worship band should be, in my opinion, to produce a beautiful background symphony to our personal and corporate praise to God.

On a few occasions I get distracted by what appears to be a Bono wannabe performing during worship. I find my mind wandering, wondering what in the world the goofball is trying to do or be, and then- times up- and I realize I never did enter into a focused time of worship.

I found this great quiz on a neighbor blog (http://stufffchristianslike.blogspot.com/) that I thought perfectly captured the essence of the distracting worship leader.

I’m guessing any score above a 30 is troublesome. Enjoy.

Does your worship leader…

1. Have a faux hawk hair style? (+1)
2. Have more product in his hair than your wife? (+1)
3. Have Rob Bell style black rimmed glasses? (+1)
4. If the glasses are not prescription, but just for effect add (+2)
5. Attend the Catalyst Conference? (+3)
6. Perform at the Catalyst Conference? (+10)
7. Own Puma, Vans or Diesel sneakers? (+2 per pair)
8. Wear jeans on stage? (+1)
9. Wear designer jeans on stage? (+2)
10. Wear Wrangler or Rustler jeans on stage? (-3)
11. Have a goatee? (+2)
12. Wear one of those Castro revolution looking hats? (+2)
13. Drink coffee on stage? (+1)
14. Drink some kind of coffee you did not know existed? (+2)
15. Bring a French Press on stage and make his own coffee during service? (+5)
16. Have a handlebar mustache? (-3)
17. Play Frisbee but hates getting all "sweaty?” (+1)
18. Have a haircut that covers one of his eyes while singing? (+1)
19. Own a white belt? (+2)
20. Own suspenders? (-3)
21. Wear a scarf with a t-shirt? (+1)
22. Wear a winter knit hat even in the summer? (+2)
23. Ever cover My Chemical Romance songs? (+3)
24. Drive an Audi or VW, silver of course? (+2)
25. Use the words, "postmodern, relevant" or "emergent?” (+2)
26. Cringe a little when people say the "H word?" (Hymnal) (+3)
27. Ever said some form of the phrase, "That song is so 1990s?” (+1)
28. Own a Grizzly Adams red and black flannel shirt? (-2)
29. Have a child named after a fruit, color or number? (+2)
30. Reference Norwegian punk bands you've never heard of? (+2)
31. Wear a tie? (-1)
32. Wear a tie as a belt? (+2)
33. Look as if he might exfoliate? (+2)
34. Have a man bag or European Carry All? (+2)
35. Bring said bag on stage with him? (+2)
36. Have a tattoo? (+2)
37. Have a visible tattoo? (+4)
38. Wife accompany him on stage and play tambourine? (-4)
39. Have experience playing in a punk new wave band? (+2)
40. Know the names of all the people on the scripted MTV show, "the Hills?" (+3)
41. Refuse to drink anything but Vitamin Water? (+2)
42. Cause your wife to ever say, "he needs a barrette for his hair"? (+2)
43. Have a nickname with "the" in it, as in "the edge?" (+2)
44. Own every Nooma video? (+2)
45. Have a soul patch? (+3)
46. Refuse to play barefoot on stage until he gets a pedicure? (+2)
47. Refer to California as "the left coast?" (+2)
48. Currently subscribes to Dwell or Details magazine? (+2)
49. Own a pair of lady jeans? (+2)
50. Twitter you from his iPhone? (+2)
51. Have a toddler that dresses cooler than you? (+2)
52. Wear graphic t-shirts over button down, long sleeve shirts? (+2)
53. Ever say "we got a hot mic here"? (-4)
54. Shop at the Gap? (0)
55. Shop at Urban Outfitters? (+2)

The highest possible score is 107.

Monday, November 24, 2008

Prospek’s March by Coldplay

Coldplay is not just one of my favorite bands of all time (primarily for amazingly simple yet haunting melodies, words that MEAN something, and an undeniable coolness that transcends most other rock/pop bands), they also are living the new way to succeed in the music business.

Its rather simple, really. I call it a rock/pop 12 step program:

1. Work tirelessly to craft memorable and sweeping melodies and hooks.

2. Build a solid foundation of repeating phrases and hooks that make it easy to quickly remember and hum/sing a song even after the first time you hear it.

3. Play cities, towns and venues of all sizes. Not just the big halls- play in the 500-2000 seat halls too.

4. Get to KNOW your fans. Talk to fans regularly. Hit them with emails and newsletters- not just to sell stuff, but to inform us of the music, the tour, free downloads, new pictures, media appearances, and more.

5. Provide a regular flow of new music. THIS IS THE BIGGIE. Don’t go up to the mountain or ivory tower, get inspired once every couple of years and then slowly bless the fans with 10-12 mediocre songs with one good cut every two years. Feed us intravenously. Keep it coming. New tracks trickling throughout the year. New mixes, new music videos. KEEP IT COMING!

6. Build your song structures in such a way as that average people that play guitar or keyboards can learn and play them easily. They are a sub-sub-core of the fan base and will stay with you for years.

7. When appearing on television or in other media be REAL. Don’t by coy, try to fake humbleness, poverty or being like the average guy. Embrace your talent, celebrate with the fans, give freely.

8. Keep lame celebrity type diarrhea of the mouth comments about politics to an absolute minimum.

9. Embrace a real cause that has a decent chance of making the world a better place. By the way, this does NOT include anything that has to do with global warming or PETA.

10. Let all the members of the band contribute and shine.

11. Write lyrics that make people wonder, think, feel, hurt, move, cry, and live life.

12. Show the people you LOVE what you do and you’re having fun.


Check out the NEW Coldplay EP “Prospek’s March” released today. It's truly brilliant.

Incidentally, it's released only a few months after their brand new full-length "Viva La Vida or Death And All His Friends" (masterpiece), and just a few short weeks since the last new single and other bonus cuts they've put out.

Genius, these Coldplay guys.

Tuesday, November 18, 2008

The Day Reba McEntire Used My Bathroom

I initially posted this on October 28th, the day after Reba was filmed on location on the DigitalRich Ranch shooting the new Brooks & Dunn music video for Cowgirl's Don't Cry, but I think Google Alerts popped up in her manager's inbox and some feelings were hurt.

I was asked to take this down for a few weeks. I've noticed some news stories since the CMA Awards about Reba performing with Brooks & Dunn and some YouTube behind-the-scenes stuff about the shoot, so I figure it's safe to repost.




************************

Today was the day. It all started about a week ago when an unassuming young gent named John knocked on our front door. He asked my wife if he could come in and take a few pictures of our house. He'd heard we had a nice and spacious living area and they wanted to see if it would work for a new Brooks & Dunn (w/special guest Reba McEntire) music video.

Michelle came downstairs to my office to get me, and I did the proper vetting. I asked for his business card, what production company he was with, etc, etc. We let him in and he took a few pictures and left. I wasn't sure we'd hear from him again, but he emailed me a few days later.

He told us he wanted to stop by the house with the director to look around and we said ok. About 10 people showed up and walked around the kitchen area talking about possible shots. They ended up wanting to shoot the scene here and John contacted me the next day with their offer. I countered with double what they offered, and we settled for 1/2 way between the two numbers.

The advance crew showed up today about 10:00AM and got to work. The most important thing to get done first seemed to be set-up for catering. The tables went up, along with about 35 chairs or so. Unfortunately they picked the coldest day so far this season and eating outside was just a bit frosty.







While the catering guys were hard at work, the rest of the crew started arriving and used part of our land as a make-shift parking lot.




They started to set-up the production trucks, generators, outside lighting (shining into the kitchen), and other necessary work to get the right look inside.





Then it was lunch time. Catering provided a rather tasty rice-stuffed chicken breast, salad with all the trimmings, wild rice, and broccoli and for dessert a rather tasty Boston cream pie.


Here we see the piano room, after everything that was not needed in the great room was moved into it to make room for the interior lighting and camera. I wasn't aware they were going to do all this. It was a bit of a shock, but they were very careful.


Here you can see one of the lighting set-ups and the camera in the edge of the great room looking into the kitchen and dinette area. Reba arrived about this time and they used our master bathroom to do her make-up and touch up her hair. This was unforseen, and of course was the one room my wife DIDN'T clean up before the shoot.


And here is the second interior lighting set in the dining room looking through the foyer into the dinette. The young girl there is an actress that played Reba's character's daughter.



And, finally, the money shot. Here is Reba's character answering the phone, ostensibly getting horrible news, and her daughter seeing her mom distressed comes over to hug her.


And we're done. The crew left by 3:30PM after packing up everything and using digital pictures they took prior to the shoot to make sure everything was put back in its place. We did a walk through with a couple staff guys to make sure all was ok. We told them it was, they left, and then my wife realized they took our fruit bowl (making its screen debut in the photo above).

I called John on his cell and they rushed it right back over.

It was a very interesting experience, but if there is a next time, I'm not coming down off my number.

Watch the video here: "Cowgirl's Don't Cry" by Brooks & Dunn






Monday, October 27, 2008

The Shadow Proves The Sunshine

Switchfoot’s “Shadow Proves The Sunshine” is one of my favorite tunes. Check out the lyrics below, and you can listen to the recording at the very bottom of the home page if you like. The shadows proving the Sunshine in the attached photo are of my family at Yellowstone Park this past summer.

Sunshine, won't you be my mother
Sunshine, come and help me sing
My heart is darker than these oceans
My heart is frozen underneath

We are crooked souls trying to stay up straight,
Dry eyes in the pouring rain
The shadow proves the sunshine
The shadow proves the sunshine

Two scared little runaways
Hold fast to the break of day light where
The shadow proves the sunshine

Oh Lord, why did you forsake me?
Oh Lord, don't be far away away
Storm clouds gathering beside me
Please Lord, don't look the other way

Crooked souls trying to stay up straight
Dry eyes in the pouring rain
The shadow proves the sunshine
The shadow proves the sunshine

Two scared little runaways
Hold fast to the break of day light where
The shadow proves the sunshine
The shadow proves the sunshine

Yeah Yeah, shine on me
Yeah Yeah, shine on me
Yeah Yeah, shine on me
Yeah Yeah, shine on me

Crooked souls trying to stay up straight
Dry eyes in the pouring rain
The shadow proves the sunshine
The shadow proves the sunshine

Two scared little runaways
Hold fast to the break of day light where
The shadow proves the sunshine
The shadow proves the sunshine

Yeah Yeah, shine on me
Yeah Yeah, shine on me
Yeah Yeah, shine on me

Shine on me,
Let my shadows prove the sunshine








Friday, February 01, 2008

Singing Girls

Every once in awhile I find a female vocalist that I really dig. Usually its because they sing in a scale that I am able to meagerly follow along with when no one is around to hear.

There is a new breakout artist named Sara Barilles that I’m particularly digging. Her song “Love Song” is not only a lyrically beautiful, but frighteningly catchy.

Kind of reminds me of early Michelle Branch. You can check it out on VH1.com.

I don’t know how much depth there is to Sara behind the music…perhaps plenty...but one female vocalist I have been watching for some time I know has depth beyond measure.

I met Vicky Beeching several years ago when she was first signed to EMI. We invited her to perform a cozy acoustic set for the sales and marketing team retreat.

The plan was to have a day of hiking and outdoor sports, picnic lunch and music. While it was fun, the day was horribly hot and sweat was rolling down the faces of everyone around. Vicky showed up picture perfect and managed, despite the unbearable heat, outside under a gondola in the woods with no breeze, to play beautiful music and deliver a thought provoking message.

While what she says has great value and captures the attention of the listener on its own merit, her adorable Brit accent doesn’t hurt either.

I recently discovered she has a blog- some great reading, interesting thoughts and questions, and a few funny pics. Check it out:

http://vickybeeching.typepad.com/

You can also check out her music on her MySpace page:

http://www.myspace.com/vickybeechingmusic






Thursday, January 31, 2008

Corrupted Youth?

I found these two unrelated articles about Israel to be, in some ways, quite related. I read them on the same day and simply connected the dots. At least in my own mind.

Is it reported that officials from the Israeli government invited the two surviving Beatles (Paul and Ringo) to perform at the 60th anniversary of the country’s creation this May. This seems to be some sort of apology for what the government did some 40 years ago.

Apparently the Beatles had been booked to appear in Israel in 1965, but government officials refused to grant the necessary permits, citing concerns that the band could corrupt the morals of Israeli youth.

http://www.haaretz.com/hasen/spages/948893.html

Fortunately for Israel, the avoidance of the evil Beatles music played live in the Holy Land has saved the youth and kept them pure and white as the wind driven snow.

Or did it?

Moments after reading this article I stumbled on this one:
Israeli Knesset member Zeev says: “Gay 'plague' could destroy Israel”

http://www.ynetnews.com/articles/0,7340,L-3500042,00.html

Perhaps if the Beatles back in 1965 had been allowed to perform songs like “And I Love Her,” “She Loves Me” and “Girl” they wouldn’t be having these problems now.





Tuesday, January 01, 2008

Digital Content Consumption

As part of my work for a filmed entertainment company I had to travel to Michigan to meet with a retail group recently. Returning to Tennessee with me after the meeting was a gent I had first worked with years ago at Star Song Records.

We had both been sales reps for the then fledgling record company (before a major music company had bought it and turned it into yet another streamlined soulless label in a big corporate machine) and he had left right when the purchase had gone down. He ended up at one of my competitors, but we had always maintained a cordial relationship.

This past year I have had the occasion to begin working with him and the company he works for in the capacity of distributing some of the films my client makes. It has been fun getting to know him again and working alongside him.

While on this recent trip the conversation turned to the state of the music business. He is still 90% invested in the category (that’s about the percentage of the total sales his company has in music versus filmed entertainment), while after 15 years in it, I finally got out in 2005. We chatted about the massive hemorrhaging in the businesses, huge drops in sales, no growth, poor new artist development, and so much more fun and uplifting stuff.

The conversation wandered into discussing the music and artists we liked, our music collection and things like that. We were each astonished at the others music and video consumption habits. I have been somewhat divorced from the business (and thus the consumer research, trends and other data) so I don’t know if I have moved in a direction most other music consumers have, but my friend seemed astonished at my media consumption habits.

The astonishment started when I asked him “hey, you wouldn’t happen to know how I could unload several thousand CDs would you? They are taking up to much space in my house and the whole used CD business has collapsed so I cant haul them somewhere and get a few dollars each.”

Why in the world would you want to get rid of all your CDs? He asked.

And so I began to tell him how our family is consuming music. CDs are useless to us other than being a transfer device to get music trapped on a plastic disc into the digital world where it belongs. We free the music from its static plastic prison into a series of digital devices, storage pins and network servers in our home. The music resides in a central server that runs in my bottom floor home office and is also backed up on two different mass storage devices. From the server the music, along with our family photos and family videos, are served to 3 different iPods, 4 other digital players, 2 cell phones with music players built in, 2 home entertainment systems, a Tivo player, and can play in the living room on demand through wireless Bluetooth speakers.

Any music we want to listen to on the road is easily spit out onto cheap CD-Rs that we keep in three places (near the three computers in our home). If we want to listen to a particular album, or artist, or playlist of songs, we click a couple windows and out pops a 20 cent plastic disc we can put into an old fashioned CD player in the car and whammo- we’re listening to music. Don’t even need cases or sleeves. When it gets scratched beyond use, or we’re simply done with it, it gets tossed. We can make another the next time we want to listen to that music. And even that practice will be dying out soon as most new cars make it easy to interface portable digital music players into the vehicles sound system.

How do we acquire or listen to new music? Simple. 5 different ways.

1. We subscribe to Rhapsody so on demand we can listen to millions of songs or albums whenever and wherever we want in our home.

2. Free streaming websites. There are now hundreds of websites that provide free/promotional streams of huge hit/current songs and music video on demand. Our 4 kids don’t need or want to buy CDs as most of what they want to listen to that is not on our home network they can get on demand at Radiodisney.com or aol.com.


3. Free permanent downloads. iTunes and other sites occasionally offer free permanent downloads of new and developing artist tracks and even full albums. Great way to experience new music.


4. Borrowed/visiting CDs. When they are inserted into one of the computers on our network iTunes automatically grabs the tracks and inserts them into the network. This probably wanders into the shady side of the digital music world, but hey, iTunes does it on its own- blame Steve Jobs.


5. The occasionally (like maybe 2 times a year) purchased CD. Yes, seems we still participate in this ancient tradition of buying a plastic disc with digital files on them. Very rare occurrence.

Next step is our DVD collection. I just picked up a new 500gig storage device and connected it to our network, and probably will pick up a few more soon. The goal is to get to about 5 terabytes of storage so we can get our DVD collection of films onto the network. It will be great to use the remote and scroll through hundreds and hundreds of films we own and play them on demand.

Once we do that we can stop storing tons of plastic cases and DVD discs in the family room. We’ll gain great new space for art and framed photos.

So back to my traveling and meeting buddy. He was shocked and dismayed. He’s still an old fashioned guy- he loves the look, feel and smell of a CD and the booklet/art and tray card. He pours over the lyrics and text inside. He ponders the liner notes. He doesn’t get me, and I don’t get him. If I want to read the lyrics and other information about the artist or record, I can get volumes of updated information online. And the cover art shows up in most of our digital devices as the music plays.

The great evil of the plastic prison of music and movie discs is that they are bulky and hard to make portable. If I OWN the content (or at least own the right to listen/watch the content), I want to be able to exercise that right whenever and wherever I want. If I’m sitting in the car waiting for Michelle and the girls to get out of Kohl’s (which happens way to often), and it strikes me that I want to listen to Ben Fold’s “Whatever and Ever Amen” album, and its sitting at home in a storage box underneath tons of Christmas ornaments, I get a little pissed off. I own it, I want to listen to it, but it’s trapped on a plastic disc somewhere in the physical world far away from me.

In the world of digital music, I just click and its playing.

Love digital.





Friday, October 26, 2007

You Should Make a CD

You gotta love little kids. Their world is so small, their experience so limited, that each new and exciting thing they see or experience almost redefines the borders of their existence. Feats of even moderate talent performed around them, if beyond their abilities or understanding, fascinate them to no end.

In August 2006, after almost a 20 year absence from my hands, my guitar came out of storage and its confining dark and musty prison on a lark. I can’t recall exactly why I got it- I think one of the girls needed to use the case for something or other. Anyway, out the guitar came and it sat in my office for a week or so until I picked it up and tried to strum a few chords.

I was horrible. Not that I was ever very good, but now I couldn’t even get a decent “C” chord out of the thing. My fingers wouldn’t cooperate; the strings were brittle, and sure enough on about my 4th or 5th try one of the strings snapped. Or rather crumbled into dust.

I went to the music store and bought new strings (I had a free afternoon somehow) and had it up and running in another hour. I finally managed to hit a decent chord or two and it was wonderful to hear the guitar produce something similar to music after so long. I decided right then, and I have no idea why, I would dedicate 30-60 minutes every day to try to get back to beginners level of play- maybe even a bit beyond. I reasoned that a month or so of daily practice would do it.

Fast forward 14 months. The guitar has remained out of its enclosure and either in my bedroom or the living room this entire time. I have done fairly well at daily practice- sometimes 2-3 times a day. I have now far exceeded the level of play I ever did when I was 16 years old.

A couple nights ago my two youngest girls, R (6yrs) and A (9yrs) gave me the encouragement and affirmation I needed. After I played and sang a couple goodnight songs for them at bedtime (“Good Night” by the Beatles, and a second tune I am writing) A said “daddy, you are so good. You should make a CD. I would buy it.”

Yes I know- A doesn’t even earn her own money to buy a DigitalRich CD- she would have to use mine- and neither girl has ever really encountered true talent sitting right in front of them to properly form a learned opinion about guitar playing, but the words were sweet anyway.

Perhaps I will make a CD for my two fans. I better hurry before they find a new favorite artist.





Saturday, August 18, 2007

I Like The Beatles More Than Aly & AJ

Sweeter words were never spoken by any other 8 year old girl. It happened while driving to dinner at Macaroni Grill. I had made a mix CD to play out by the pool a few weeks ago, loaded with some of the best Beatles songs (not all well known), and it ended up in our family van.

Michelle was driving- I was just too exhausted after a long day. I leaned back in the seat, closed my eyes, and let the Beatles pour out of the speakers. All four girls have learned most of the songs and were singing along.

During one of the quieter songs- I think it was Across The Universe- A mentioned casually that she liked The Beatles more than Aly & AJ (the nearly undisputed music heavy weight with the girls. Switchfoot and Relient K are up there too). All 3 of the other girls agreed, and a couple even mentioned The Beatles were their favorite group.

My life is complete.





Thursday, July 26, 2007

Hip-Hop Is Dead

There is nothing else to say really. Rap and hip-hop are dead... or at least on their death bed.

Cool.






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Wednesday, June 27, 2007

I'm A Loser, But The Pad Thai Was Good

Paul McCartney is to make a ‘surprise’ appearance at a Hollywood record store tonight.

I read about the upcoming event in an email yesterday, and told someone at my client’s office I would be going. To say I am a Beatles fan, and a fan of each Beatle individually, is an understatement. I am a life-long and devoted Beatle-freak.

I was told to not even try. People were likely already camped out the moment the news came out yesterday, and if I thought I had seen bad traffic, I hadn’t seen anything yet. Not to mention the massive crowds packing in and around a record shop hoping to hear Paul belt out 2 tunes, wave and leave. He made a good point, and despite the fact that I am a huge fan, and that I happened to be in Hollywood this very day I decided I would skip it.

Big mistake.

Here is a write-up about the experience from an industry blogger/newletter writer that pulls no punches. If it had sucked, he would have had no problem expounding greatly on the suckiness. The fact that he said it was an amazing experience has sunk me into a deep depression for skipping it and instead grabbing a quick Thai dinner and hitting the hotel room to catch up on email. To quote Lennon/McCartney- “I’m A Loser.”

Bob Lefsetz:

It was positively MINDBLOWING! If you weren't at least ten or eleven back in '64 you've got no idea, you've got no concept of BEATLEMANIA! And that's what was in evidence this evening at possibly the world's most famous record store. I mean I'm standing with Felice and Peter Paterno and you can hear WHISPERS! In the row behind us, it's RINGO!

Yup, Ringo Starr. With his cropped hair and sunglasses. Barbara Bach at his side. Smiling like he's in the sequel of "A Hard Day's Night". And next to Ringo it's Olivia Harrison. And next to her Barbara Orbison. And then Jeff Lynne. And, right behind them, leaning against the bin, was Joe Walsh. You see they remembered. When we all had short hair and loved to play baseball and suddenly "I Want To Hold Your Hand" came over the radio and our lives changed...FOREVER!

Why am I living in California? Well, that's because of Brian Wilson. But why am I writing this, why are you reading it, because of the BEATLES! In ONE DAY our lives changed...IRREVOCABLY! We all bought guitars, grew our hair and formed bands. We wanted IN! Math, the National Honor Society, WHO CARED! The most important thing was those black pieces of wax, containing a whole LIFE! And taking the stage was the cute one, the one all the girls fell for, who could sing sweet or yell like Little Richard. THAT guy was in Amoeba tonight, fewer than TWENTY FEET AWAY!

And, I'll tell you, I'll never be the same.

Oh, it wasn't quite like seeing the Stones, we didn't have to wait an hour and a half. But forty minutes after the anointed time, at ten after eight, Paul bounces on stage, looks right to Rusty and left to Brian and then as that lick embedded in our DNA starts to come out of the speakers, steps up to the mic and sings:

"Ask the girl what she wanted to be
She said baby, can't you see
I want to be famous, a star of the screen
But you can do something in between"

He was playing DRIVE MY CAR! He's supposed to start off with one of the new numbers, or a classic blue chip, not the coolest track that wasn't even ON the American version of RUBBER SOUL! Every time I went to Marc Goloff's house I played his English version of the album, just to hear that opening cut. It's not exactly a secret, but it wasn't one of the Capitol priorities, and now FORTY YEARS LATER PAUL McCARTNEY IS PLAYING IT RIGHT IN FRONT OF ME!

It was like that SNL skit. You know, the parody of Oprah giving away Pontiacs, where people's HEADS WERE EXPLODING! The girls were screaming, my jaw was dropped, it was the sixties all over again, it was BEATLEMANIA! Oh, he played "I'll Follow The Sun"! God, I can tell you exactly where I was, talking about "Beatles '65" on Christmas Day 1964 in the lobby of Skylight Ski Lodge in Manchester, Vermont. Yup, our entire LIVES are Beatle memories. He picks a song, and a movie starts playing in your head.

And he's playing them so naturally. He's not missing a NOTE in "Blackbird". He's got that acoustic strung left. He's moving his fingers on the fretboard. It was enough to make you cry, overcome with emotion, that what you'd dedicated your life to was worthwhile.

Yes, it was a religious experience.

And the banter! He told us not to shoplift the CDs, he interacted with the hecklers. He told stories. And he played like he MEANT IT, he was giving it his ALL! All those gigs in Hamburg...you could see evidence, in Paul's confidence, the way he manipulated the audience, the way he went off script and jammed if it felt good to HIM! Yes, it was like being in the garage with the world's best band. All of a sudden, just when you can't pick out the song anymore, you realize they're starting to JAM! Paul's picking out notes on his Les Paul, he's looking at the other players, it didn't even matter that we were THERE!

But oh, we were.

My body tingles to think of the assembled multitude singing "Hey Jude". Oh, you might think you've heard it enough in YOUR lifetime, but the guy who wrote it, who sang it, when he's banging it out on the keyboard, when you come to that endless coda, you can't help but sing along, like you did in your car again and again and again, all summer long back in '66. Oh, he's even adding the fillips from the record...JUUDYJUUDYJUUDYJUUDY!

I'd forgotten to turn off my BlackBerry, it was buzzing in my pocket, but I didn't want to even reach in to turn it off, I didn't want to distract myself for ONE SECOND, I wanted to soak it all in, because at some point, this was going to END, and I'd be aching, just wanting more.

Not that Paul punched the clock on us. He played for an hour twenty five. INSANE! These private shows, hyping the new release, they're twenty minutes at best, the players are going through the motions. But Paul was giving it his ALL!

Paul... That's really him. With that baby face. That guy who made it all the way from Liverpool to worldwide fame. It must be tough to be Paul, everybody looking at you everywhere you go, but how can you do otherwise, it's HIM! He played "Lady Madonna". That was on a compilation album I remember seeing in a record shop on my first trip to Aspen in February 1970.

And he played "Let It Be". With Rusty nailing the guitar solo. With me thinking of Paul's mother, and... We know the guy's complete story, but do we know HIM? He's not edge-less. He got pissed at some girl for interrupting one of his stories. Oh, he didn't lose his cool, it's just that he wasn't worried about the camera, his image, he'd earned the right to be HIMSELF!

What can I tell you, he played I'VE GOT A FEELING!!! And MATCHBOX, even talked about how Carl Perkins wrote it, laying down a little history for those who didn't know the author of "Blue Suede Shoes" wasn't a one hit wonder. And, in the multiple song encore, he didn't play "Yesterday", he surprised us with something better, something for us...

"Jojo was a man who thought he was a loner
But he knew it couldn't last
Jojo left his home in Tucson, Arizona
Bought some California Grass"

The Friday night before "Let It Be" was released I was driving in my mother's Country Squire to see Traffic's reunion show at the Fillmore East and WNEW was playing the album from start to finish. The FM radio in my mother's new car only played the left channel for some reason, so I leaned down to listen through the static, even though a girl I had a serious crush on was riding shotgun. Because, ultimately, people come and go, but we can count on the music, the music doesn't disappoint us, we can depend on the Beatles.

Oh, by this time I already had my escape plan in motion, in my mind anyway. I was gonna leave the uptight, dreary east coast for CALIFORNIA! Where the girls wore bikinis, it never rained and it was about possibilities rather than limits.

And when Paul hits that line, the whole room ERUPTS! Because we know EVERY LINE! In everything from "I Saw Her Standing There" in the encore, to "C Moon" close to the beginning.

And it wasn't like there was a wall between us. The connection, it was PALPABLE! He was our leader, he had us in the palm of his hand. He was taking us on a journey to the center of our minds, our best selves, when music was ENOUGH! And I'm sure that every other person in Amoeba felt the exact same way. This wasn't de rigueur, this wasn't something you shrugged off, this touched your SOUL!

It was too good to be true.

I'm still pinching myself.







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Saturday, June 23, 2007

Relient K's 'Five Score And Seven Years Ago'...

... is a Rock-Pop Masterpiece.

I've written before about how our family discovers a song and it becomes ‘our song.’ It’s played regularly in the car, at home, on various digital music players and music phones, off of Rhapsody, out by the pool.

A new thing is developing here at the DigitalRich home…it’s ‘our album.’

The new record from Relient K is a rock/pop phenom. A masterpiece in my humble opinion. The whole family is digging it- even little 5 year old R. I’ve liked Relient K’s stuff for years, but this record has full power from track 1 to 14 all the way through.

I went ahead and loaded it up on my TuneFeed player here at DigitalRichDaily, so if you want to check it out, head over to the left sidebar and hit play. Hope you enjoy it. Its encoded and uploaded at low quality, so if you like it, support the guys and go buy it at iTunes to get the full sound. You wont regret it.






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Thursday, June 21, 2007

All Grown Up

About 8 years ago while at EMI a friend of mine in the A&R department called and asked if he could bring a young artist and her mom to my office to meet me. Of course I wanted to meet her- love to meet new young artists before they get molded and packaged. It’s a great way to see who they really are before they become too mature and practiced.

In walked a little girl- Rachael Lampa- and her mom. She was about 14 or so and we had a nice conversation full of small talk. They played a cut of her music for me and I was amazed at her voice. So powerful and full for such a little girl.

Today, 8 years later I met with her again. One of my clients has an opportunity I thought she may find interesting. Now 22, a lovely woman, and an artist searching for her next musical venture and direction, I reminded her that we had met some years ago in my office at EMI Music.

She had no earthly idea what I was talking about, but took my word that we had met.






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Tuesday, June 12, 2007

Money Man

Tonight was the big night. The band I manage, the koo, has come to a point where they need a cash infusion. Just like any small business, cash is king, and these dudes have none.

New record to record in August, production, mixing, art, packaging, radio promotion, marketing and promotion, and a bit more. All for about $15,000. A band on a budget.

Dinner at Blackstone Brewery in Nashville with a money-man. Potential investor. I’m sure the band was hoping we would walk out with a signed check. I knew better. People that have money have it mostly for one reason. They’re smart. And the keep their money as long as they keep their smarts. Unless the person inherited money or won the lottery. This guy did neither- he's built several businesses from scratch.

Hand-crafted brew and a nice dinner did nothing to kill his brain cells. He wants a full business plan, income and expense plan, return on investment forecast, and due diligence done on the potential partners (record producer, radio promotions team, etc). Yay!!! More work for me!

Sarcasm aside, I love these guys and want to do all I can to help them. I will crack open the trustly Microsoft Excel and get to work.






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